Корній Л. П. - Джерела різних видів української музичної творчості доби Бароко (ХVІІ – перша половина ХVІІІ ст.): кодикологічний та музично-стильовий аспекти (2022)

  ARCHIVE (All issues) /     Content (2022, Issue 28)Ukrainian English

Kornii Lidiya

Sources of different types of Ukrainian musical creativity of the Baroque period (17th – first half of 18th century): codicological and musical-stylistic aspects

Section: Studies in Spesial Historical Disciplines

Abstract: The goal of the work. Codicological and musical-stylistic analysis of musical sources of different types of Ukrainian musical creativity of the Baroque period of the 17th - first half of the 18th century (church monody, partes works, chants, school drama with music) from the standpoint of integrity with the establishment of similarities and differences, as well as the links between them, which allows to understand properly the leading trends in contemporary music culture. Methodology. To study the sources of musical creativity of the Baroque period, a comprehensive approach was used, as well as source studies, historical, stylistic and comparative methods to study the sources of different types of musical creativity. Scientific novelty. Consideration of codicological and musical-stylistic features of Ukrainian written sources of different types of musical creativity of the Baroque period from the standpoint of integrity showed the presence of typological and common features and differences, as well as links between them. It has been established that in the Baroque period, religious and Christian themes dominated in written music, which is evidence of the significant role of Christian values for Ukrainian society at that time. It is determined that the interpretation of Christian themes took place differently. The revealed differences between different types of creativity showed evolutionary processes in the creation of codes of sources, in the use of various verbal texts in musical creativity (hymnography, syllabic poetry), in the correlation of word and music and in the musical-stylistic system. The combination of medieval traditions with baroque style innovations in musical creativity is revealed, as well as its three levels are characterized – “high”, “middle” and “lower”.

Keywords: codicology, monody, partes concert, chant, school drama, baroque, hymnography, poetic drama.


Author(s) citation:

Cite:
Kornii Lidiya (2022). Sources of different types of Ukrainian musical creativity of the Baroque period (17th – first half of 18th century): codicological and musical-stylistic aspects. Manuscript and book heritage of Ukraine, (28) 314-329. (In Ukrainan). doi: https://doi.org/10.15407/rksu.28.314

References:

  1. Antonovych M. I. Piatyholosna partesna Liturhiia - svidok ukrayinskoi kultury z doby do Bortnianskyi [5-voices parts Liturgy - a witness to Ukrainian culture from the period before Bortnianskyi]. Bohosloviia [Theology]. Rome, 1973. Vol 37, pp. 65–88. [In Ukrainian].
  2. Herasymova-Persydska N. O. Rukopysy bahatoholosnykh tvoriv XVII–XVIII stolitʹ u fondakh viddilu rukopysiv TSNB AN URSR [Manuscripts of polyphonic works of the 17th–18th centuries in the fonds of the Manuscripts Department of Central Scientific Library of Academy of Sciences of Ukrainian Soviet Socialist Republic]. Fondy viddilu rukopysiv TSNB AN URSR [Fonds of the Manuscripts Department of the Central Scientific Library of Academy of Sciences of Ukrainian Soviet Socialist Republic]. Kyiv, 1982. Pp. 121–125. [In Ukrainian].
  3. Herasymova-Persydska N. O. Khorovyi kontsert na Ukraini XVII–XVIII st. [Choral concert in Ukraine of the 17th-18th centuries]. Kyiv, 1978, 180 p. [In Ukrainian].
  4. Herasymova-Persydska N. O. Ukrainskyi variant muzychnoho baroko [Ukrainian version of musical baroque]. Ukrainske baroko. Materialy 1 konhresu Mizhnarodnoi asotsiatsii ukrainistiv [Ukrainian baroque. Proceedings of the 1st Congress of the International Association of Ukrainian Studies]. Kyiv, 1993. Pp. 244–251. [In Ukrainian].
  5. Dubrovina L. A. Kodykolohiia ta kodykohrafiia ukrainskoi rukopysnoi knyhy [Codicology and codicography of the Ukrainian manuscript book]. Kyiv, 1992. 262 p. [In Ukrainian].
  6. Dubrovina L. A. Kodykolohichne doslidzhennia ta arkheohrafichnyi opys notoliniinykh Irmoloiv [Codicological research and archeographic description of nonlinear Irmoloys]. Bolharskyi naspiv z rukopysnykh notoliniinykh Irmoloiv Ukrainy [Bulgarian croon from manuscript nonlinear Irmoloys of Ukraine]. Kyiv, 1998. Pp. 18–37. [In Ukrainian].
  7. Dubrovina L. A. Supraslskyi irmoloi 1601 r.: deiaki aspekty kodykolohichnoho doslidzhennia [Supraslskyi imoloy 1601: some aspects of codicological research]. Rukopysna ta knyzhkova spadshchyna Ukrainy [Manuscript and book heritage of Ukraine]. Kyiv, 1993. Pp. 13–20. [In Ukrainian].
  8. Kornii L. P. Ukrainska shkilna drama i dukhovna muzyka XVII – pershoi polovyny XVIII st. [Ukrainian school drama and sacred music of the 17th– first half of the 18th century]. Kyiv, 1993. 184 p. [In Ukrainian].
  9. Kornii L. P. Dzhereloznavstvo istorii ukrainskoi muzychnoi kultury [Source study of the history of Ukrainian musical culture]. Kyiv; Nizhyn, 2019. 312 p. [In Ukrainian].
  10. Medvedyk Yu.Ye. Ukrainska dukhovna pisnia XVII‒XVIII stolit [Ukrainian sacred song of the 17th–18th centuries]. Lviv, 2006. 308 p. [In Ukrainian].
  11. Partesnyi kontsert XVII–XVIII st. z kyivskykh kolektsii [Partes concert of the 17th–18th centuries from Kyiv collections] / N. O. Herasymova-Persydska (Ed.). Kyiv, 2006. 340 p. [In Ukrainian].
  12. Riezanov V. I. Drama ukrainska [Ukrainian drama]. T. I : Starovynnyi teatr ukrainskyi u 6 vyp. Vyp. I : Vstup. Stsenichni vystavy u Halychyni [Vol. I: Ancient Ukrainian Theater in the 6 issuees. Iss. 1 : Introduction. Stage performances in Galicia]. Kyiv, 1926. 204 p.; Vyp. 3 : Shkilni diistva velykodnioho tsyklu [Iss. 3 : School activities of the Easter cycle]. Kyiv, 1925. 394 p.; Vyp. 4 : Shkilni diistva rizdvianoho tsyklu [Iss. 4 : School activities of the Christmas cycle]. Kyiv, 1927. 208 p.; Vyp. 5 : Dramatyzovani lehendy ahiohrafichni [Iss. 5 : Dramatized hagiographic legends]. Kyiv, 1928. 296 p.; Vyp. 6 : Dramy-moralitety [Iss. 6 : Drama-moralities]. Kyiv, 1929. 264 p. [In Ukrainian].
  13. Sofronova L. A. Starinnyi ukrainskii teatr [Ancient Ukrainian theatre]. Moskow, 1996, 327 p. [In Russian].
  14. Sulyma M. Ukrainska dramaturhiia XVII–XVIII st. [Ukrainian Dramaturgy of the 17th-18th centuries]. Kyiv, 2005. 368 p. [In Ukrainian].
  15. Ukrainskyi kant XVII–XVIII st. [Ukrainian chant of the 17th–18th centuries] / L. V. Ivchenko (Comp.), V. I. Krekoten (Ed.). Kyiv, 1990. 198 p. [In Ukrainian].
  16. Khrestomatiia ukrainskoi dozhovtnevoi muzyky [Textbook of Ukrainian pre-October music] / O.Ya. Shreier-Tkachenko (Comp.). Kyiv, 1974. Part I. 272 p. [In Ukrainian].
  17. Shumilina O. A. Stylova dynamika ukrainskoi dukhovnoi muzyky XVII–XVIII stolit. Za materialamy rukopysnykh kolektsii [Stylistic dynamics of Ukrainian sacred music of the 17th-18th centuries. According to manuscript collections]. Donetsk, 2012. 299 p. [In Ukrainian].
  18. Yasynovskyi Yu. P. Ukrainski ta biloruski notoliniini Irmoloi XVI–XVIII stolit: kataloh i kodykolohichno-paleohrafichne doslidzhennia [Ukrainian and Belarusian nonlinear Irmola of the 16th–18th centuries: catalog and codicological-palaeographic research]. Lviv, 1996. 622 p. [In Ukrainian].
  19. Yasynovskyi Yu. P. Vizantiiska hymnohrafiia i tserkovna monodiia v ukrainskii retseptsii rannomodernoho chasu [Byzantine hymnography and church monody in the Ukrainian reception of early modern times]. Lviv, 2011. 468 p. [In Ukrainian].
  20. Lewin P. Ukrainian Drama and Theater in Seventeenth and Eighteenth Centurius. Edmonton–Toronto, 2008. 252 p.